The Eternal Return
Currently on display as part of the Ashurst Art Collection 2025/26, Ashurst, 1 Duval Square, London
“As everybody knows, one never sees the Sun in one’s dreams, even though one is aware of a light far more luminous.” - Gerard de Nerval, Selected Writings
The Eternal Return presents a non-linear, perosonal family narrative of bereavement, separation and reunification through dreamscapes and mythic archetypes. In ancient alchemy, Sol Niger (Black Sun) referred to the dark light used to illuminate the soul of the departed.
Composing black and white landscapes, still-lifes, and personal family photos in a series of collages on a windowpane to obscure the light of the Sun, this series seeks to question the obfuscating effect of photographs in the cyclical nature of mourning and the passing of memories from generation to generation.
For Jungian analyst Stanton Marlan, such dream imagery in which the life-giving light of the Sun has been obscured are revelations of the phycological symbolism of the alchemical Black Sun, writing, “Images of Sol Niger and death bring what we seem to think of as opposites into proximity…The paradox of the black sun is that it is an image that simultaneously expresses what traditionally has been held to be a pair of incompatible and opposing phenomena: darkness and light, blackness and luminosity, yet in the image of Sol Niger they are intimately linked.”